Author Archives: Oscar B. Wilson





Best Tracks:
1. Apocalypse Dreams
2. Nothing That Has Happened So Far Has Been Anything We Could Control
3. Music To Walk Home By
4. Why Won’t They Talk To Me
5. Feels Like We Only Go Backwards




Best Tracks:
1. You Broke My Cool
2. Eye Pattern Blindness
3. When It Explodes
4. Sun And Sea And You
5. Moths Wings



the-maccabees-given-to-the-wild (1)

Best Tracks:
1. Went Away
2. Child
3. Forever I’ve Known
4. Grew Up At Midnight
5. Go



Foxygen-Take-the-Kids-Off-Broadway (1)

Best Tracks:
1. Make It Known
2. Waitin’ 4 U
3. Abandon My Toys
4. Teenage Alien Blues
5. Take The Kids Off Broadway




Best Tracks:
1. Hail Bop
2. Waveforms
3. Default
4. Firewater
5. Silver Rays




Best Tracks:
1. Breezeblocks
2. Dissolve Me
3. Taro
4. Tessellate
5. Fitzpleasure




Best Tracks:
1. The Hill
2. There Is No Tomorrow
3. Love Fuzz
4. Handglams
4. Thank God For The Sinners



the shakedown project 600 by 600

Best Tracks:
1. Dirty Old Sin (Where Have You Been)
2. Silver Ships Crystal Grips
3. Prisoner’s Cinema
4. Tell Me What I Want
5. Caroline




1. Goatman
2. Golden Dawn
3. Discofever
4. Goathead
5. Let It Bleed



wild-nothing-nocturne-artwork (1)

Best Tracks:
1. Midnight Song
2. Through The Grass
3. Only Heather
4. Shadow
5. Nocturne



Breton - Other Peoples Problems

Best Tracks:
1. Electrician
2. Wood And Plastic
3. Interference
4. Governing Correctly
5. Pacemaker




Best Tracks:
1. Analog Wheel
2. Warning Sensations
3. Logic Winds
4. Strange Call
5. The Echo Show



Alabama Shakes - Boys And Girls

Best Tracks:
1. Hold On
2. Hang Loose
3. You Ain’t Alone
4. I Found You
5. On Your Way




Best Tracks:
1. I Follow You
2. Quand Vas Tu Rentrer?
3. Some Time Alone, Alone
4. You Won’t That Part Of Me
5. Be Proud Of Your Kids



Come of Age (Deluxe Version)

Best Tracks:
1. Lonely World
2. Weirdo
3. Aftershave Ocean
4. No Hope
5. Teenage Icon




Best Tracks:
1. This One’s Different
2. Beach Sluts
3. Wailing (Making Out)
4. Told You Once
5. Black Lagoon




Best Tracks:
1. So Long You Pretty Thing
2. Hey Jane
3. Too Late
4. Headin’ For The Top Now
5. Little Girl




Best Tracks:
1. How Long Have You Known
2. Past Lives
3. Human
4. Wait
5. Air Conditioning




Best Tracks:
1. Sixteen Saltines
2. Hypocritical Kiss
3. Weep Themselves To Sleep
4. Love Interruption
5. Missing Pieces



a8aaa1cc06f8f1c1af6a474bcf8d932b58fb56d3 (1)

Best Tracks:
1. Let Me Be Him
2. Flutes
3. Motion Sickness
4. Night And Day
5. Don’t Deny Your Heart




Best Tracks:
1. I Bought My Eyes
2. Wave Goodbye
3. Tell Me What’s Inside Your Heart
4. Death
5. Diddy Wah Diddy




1. Someone Purer
2. The Hail Bop
3. Greatest Hits
4. Radlands
5. The Nothing




1. Today’s Supernatural
2. New Town Burnout
3. Moonjock
4. Applesauce
5. Wide Eyed




1. Chasing My Mind
3. Monolith
4. Ashtray
5. Stress




1. Afterglow
2. Maybe In The Dark
3. American Girls
4. Stars
5. Where Did Our Love Go?


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My expectations for this album would no doubt have become clear with the Given To The Wild preview article, they were exceptionally high – which certainly puts the pressure on The Maccabees to deliver something amazing after hearing “Pelican”, “Feel To Follow” and “Child” pre released in that order just getting better and better.  A little spoiler for you; those expectations were most defiantly justified, for The Maccabees have really delivered. Given To The Wild is an evolutionary masterpiece which is both heart-warming and heart-wrenching at the same time. A clear departure from 2009’s Wall Of Arms to a more symbolic lyricism and a larger expansive moving sound.

Saying that this is the first time they have felt like their own band with their own true sound gives you an indication that more has gone into this record than any before – it seems to hold within it the true souls of The Maccabees which were otherwise absent from the first two LPs. Its themes based on nature, nostalgia, family and the circle of life are close to the heart of Weeks, the Whites etc. and are projected onto us with both tenderness and grandiose epic soundscapes; have the extraordinary power of moving you with the sentiment and raw emotion of their creation. The epic instrumental vastness and the distinctive honesty of Orlando Weeks’ vocals are very much at home on an African plain or a bleaker wilderness. These expanses are complimented by opposing crescendo leading to climaxes of massive power, ending many tracks on the highest of highs, and assuring Given To The Wild’s monumental success, as sincere and beautiful a record as your ever likely to hear.

Entering into the “I Wanna Be Adored” inspired intro “Given To The Wild”, a zooming atmospheric piece which begins your journey into the guitar and the cinematic, commanding “Child”. The song which inspired the album’s title and follows two of the album’s main themes; nature and the circle of life, as explained by Weeks “Being ‘given to the wild,’ it’s not a choice that you’ve made. It’s something out of your control.”. “Child” grasps you with a lovely brass section and spits you out after tumultuous guitar solo from Felix White (or was it Hugo) as uncontrollable as the choice of our own existence, before it simmers down into the more pain filled; for example with the lyrics: ‘You never know it’s too late until it’s too late.’; yet equally emotive “Feel To Follow”. The second track to surprise you with its blissfully epic climax, you would have been very wrong to have thought after “Child” that The Maccabees could give little more but you would have been forgiven, “Child” is exceptionally brilliant.

Moving through the dream-like hypnotic qualities of “Ayla” and “Glimmer” sees a softer side to the album, although not standing out; they along with “Heave” are by no means fillers, there isn’t a single filler. Given To The Wild is one whole without unnecessary elements, presenting the progression of The Maccabees group writing process and their production which has given them the maturity and skill to pull off their new expansive sound.

“Forever I’ve Known” is yet another clear departure of style from The Maccabees of old, with the new softer calming vocal beautifully delivering “ Forever I’ve known, nothing stays forever. Couldn’t you still try?” It strikes a perfect balance, with wave of wave of aggressive guitar crescendo interspersed with gorgeous moments of calm.  This leads you to “Heave”, the calm before the storm that is the unstoppable final five tracks on the LP, by way of “Pelican.

The first single “Pelican”, which along with the album uses images of the work of Andy Goldsworthy, whose work sits perfectly in with the albums feel, obviously the nature elements. The effect of the photographs before and after the fire are massive – showing the uncontrollable force of nature; it’s destructive power; and the desolation caused is no doubt part of a life cycle, giving a fertile soil to allow growth and re-birth; followed by the immutability of the stone kiln acting as a vessel relaying the ideas and emotive makeup of feeling obtained by listening to Given To The Wild. The pieces visually represent much of which makes The Maccabees third album such a great work of art and music. The song itself however is merely an optimistic jangly instrumental with lyrics about parenthood and nostalgia in “And we go back to where we came from”, it’s nice granted, and an obvious single but really nothing much more.

After “Pelican” comes “Went Away”, the indisputable standout song on the album. The most euphoric emotive moment of Given To The Wild comes from the most beautiful vocal that The Maccabees have recorded “Hold me close, don’t let me go, I need you so”, A love song if ever I saw one, and one that is becoming very personal to me, though much of this not to do with its lyrical power but it’s other-worldly guitar and launch into a perfectly joyous unprecedented final two minutes, that are nothing short of blissful. Not the most musically inventive song, but four minutes of brilliance which is too answer for the new “stadium sound”.

“Go” is yet another massive song fit for stadiums, giving light to the influence of both Coldplay and Arcade Fire on Given To The Wild. It’s a track that just gets bigger and bigger, an ambitious direction that has really paid off, most likely due to how natural a transition this seems to be. A big bass line and ghostly vocal greets you on “Unknown” ending in a surprisingly beautiful souring vocal from Alpines’ Catherine Pockson. Yet another bombardment of sound surprises you in the latter half of “Slowly One” after a tremendous build up, and what makes it so good is the jarring harsh guitar from White ripping apart all of the earlier opposing subtleties and beauty – as only nature would.

Given To The Wild ends on another high with “Grew Up At Midnight” a nostalgia filled  tale of friendship, and a far more resonant, relatable feeling than all of the sex, drugs and rock’n’roll. A lovely finish to what is the album of The Maccabees careers; if they can come out with anything better there are some truly great things to look forward to. There really is no need to look forward however because Given To The Wild should be all that you’ll need to be listening to for the for see able future and it is defiantly not one to be left behind by time. I couldn’t tell you enough how amazing Given To The Wild is.

Best Tracks:

1. Went Away

2. Child

3.  Go

4. Forever I’ve Known

5. Unknown

Oscar B. Wilson

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With great difficulty the best 100 tracks of 2011 have been completed – without a doubt this list has missed many a good song from 2011 and so compiles the best songs which have been noticed, listened to, and loved. To prevent too many songs from a single artist and cap for artists without a top ten album of 2011 has been set at two tracks each.

(which can be seen here:

Those in the top ten albums of 2011 #4-#10 take three places each and #1-#3 have four tracks present each. This has given the list some diversity, not that it was a problem in finding other tracks to fill the remaining places, as you will see many great songs didn’t make the cut. Here follows the 100 Best Tracks Of 2011:

1. Arctic Monkeys – That’s Where Your Wrong

There seems to have been a lot of love for Alex Turner and the Arctic Monkeys this year – yet the closing track of Suck It And See seems to have gone unnoticed. A track which is simple musically, which builds and builds (much like 505) into a series of thundering guitar sections with beautiful lyrics about mortality and love – see for yourself how great this track is…

2. The Horrors – Still Life

3. Bombay Bicycle Club – Take The Right One

File:Bombay bicycyle club a different kind of fix.jpg

4. Born Blonde – Radio Bliss

5. Cashier Number 9 – Oh Pity

6. The Horrors – You Said

7. Glasvegas – Dream Dream Dreaming

8. I Break Horses – Winter Beats

9. S.C.U.M. – Whitechapel

10. Bombay Bicycle Club – How Can You Swallow So Much Sleep –

File:Bombay bicycyle club a different kind of fix.jpg

11. Moon Duo – Mazes

12. Metronomy – The Look

13. Unknown Mortal Orchestra – Ffunny Ffrends

14. WU LYF – Such A Sad Puppy Dog

15. PJ Harvey – Bitter Branches

16. Bombay Bicycle Club – What You Want

17. The Horrors – Moving Further Away

18. Wu Lyf – We Bros

19. Born Blonde – ‘Solar’

20. Bombay Bicycle Club – Your Eyes

21. Noel Gallagher’s High Flying Birds – Stop The Clocks

22. The Strokes – Two Kinds Of Happiness

23. The Vaccines – Family Friend

24. Arctic Monkeys – The Hellcat Spangled Shalalala

25. Elbow – Open Arms

26. Florence + The Machine – No Light, No Light

27. Battles – Ice Cream (feat. Matias Aguayo)

28. The Horrors – Dive In

29. Chapel Club – Surfacing

30. Yuck – Rubber

31. I Break Horses – Pulse

Not on youtube

32. Cults – Go Outside

33. Esben And The Witch – Warpath

34. Cashier No. 9 – The Lighthouse Will Lead You Out

35. PJ Harvey – The Last Living Rose

36. Peaking Lights – Tiger Eyes (Laid Back)

37. The Crookes – Just Like Dreamers

38. Laura Marling – The Beast

39. Smith Westerns – End Of The Night

40. tUnE-yArDs – Bizness

41. I Break Horses – Wired

42. The Crookes – The Crookes Laundry Murder, 1922

43. Dutch Uncles – Cadenza

44. Wu Lyf – Spitting Blood

45. Fixers – Iron Deer Dream (Chad Valley Remix)

46. Bon Iver – Holocene

47. Fixers – Crystals

48. Metronomy – Some Written

49. Moon Duo – Seer

50. Unknown Mortal Orchestra – How Can U Luv Me

51. Smith Westerns – All Die Young

52. Foster The People – Pumped Up Kicks

53. Cashier No. 9 – Make Your Feel Better

54. Arctic Monkeys – Reckless Serenade

55. Anna Calvi – Love Won’t Be Leaving

56. Radiohead – Lotus Flower

57. Mirrors – Write Through The Night

58. Wu Lyf – 14 Crowns For Me & Your Friends

59. Laura Marling – Salinas

60. S.C.U.M. – Cast Into Seasons

Not on youtube

61. PJ Harvey – Written On The Forehead

62. White Lies – Strangers

63. Fleet Foxes – The Shrine/An Argument

64. Yuck – Get Away

65. Esben And The Witch – Argyria

66. Mirrors – Somewhere Strange

67. Friendly Fires – Hawaiian Air

68. Noel Gallagher’s High Flying Birds – (I Wanna Live In A Dream In My) Record Machine

69. Wild Beasts – Loop The Loop

70. Fleet Foxes – Helplessness Blues

71. S.C.U.M. – Amber Hands

72. Elbow – Lippy Kids

73. Unknown Mortal Orchestra – Thought Ballune

74. Noel Gallagher’s High Flying Birds – If I Had A Gun…

75. St. Vincent – Cruel

76. The Vaccines – Wetsuit

77. White Lies – Peace & Quiet

78. The Horrors – Endless Blue

79. Howler – I Told You Once

80. James Blake – The Wilhelm Scream

81. Memory Tapes – Today Is Our Life

82. The Joy Formidable – Llaw = Wall

83. Big Troubles – Minor Keys

84. Noah And The Whale – L.I.F.E.G.O.E.S.O.N.

85. John Maus – Believer

86. Cage The Elephant – Shake Me Down

87. Kasabian – Days Are Forgotten

88. Bass Drum Of Death – Nerve Jamming

89. Friendly Fires – Blue Cassette

90. Wooden Shjips – Flight

91. Wild Flag – Something Came Over Me

92. Florence + The Machine -What The Water Gave Me

93. The Naked And Famous – Young Blood

94. Glasvegas – Euphoria, Take My Hand

95. Hard-Fi – Good For Nothing

96. Wolf Gang – Lions In Cages

97. Pete & The Pirates – Half Moon Street

98. Veronica Falls – Bad Feeling

99. Cat’s Eyes – Face In The Crowd

100. Mogwai – Rano Pano–7QJ8U

To get the list in the form of a Spotify playlist please click on the link:

Disagree? Missed any of yours? Pray Tell.

Please note that these are not the opinions of the whole codamusic team but of one man.

Oscar B. Wilson

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This may give you the impression that the decision on how good the new Maccabees album is going to be has already been made. Perhaps, it has something to do with the release of two astounding songs and a appearance on BBC Radio 1’s Live Lounge. The first release, Pelican sees The Maccabees sound growing, becoming much more epic without being detrimental to their past sound. Similar to the number one album of 2011 from Bombay Bicycle Club. They haven’t lost their roots with any of the releases so far, which many will be glad to hear, particularly in the more subtle Feel To Follow (although the second half of the track is so far from subtle – another epic wall of guitars). The Live Lounge performance of Child is what really made me take notice of this release early – three and a half minutes of beautiful calm before the massive storming crescendo of vocals (rather than the guitar based Feel To Follow) If your going to listen to any, please  make it Child – actually scrap that listen to them all and then buy the album next Monday.


Feel To Follow:

Pelican (BBC Radio 1 Live Lounge):

Child (BBC Radio 1 Live Lounge):

It has to be said that it’s looking very unlikely that The Maccabees are going to fall into the weak third album trap after hearing these. It will be very shocking if the rest of this record is not up to the same standard. Is an epic career defining album looming? It certainly seems likely. At very least the world has gained three extremely beautiful songs.

Due: 9th January 2012

The Maccabees

Oscar B. Wilson

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This is only going to be a short list, twenty of the best releases of 2011 – containing a very strong top five of the universally critically acclaimed mercury prize winning P J Harvey album; to the pretty much unknown fourth placers Cashier Number 9 with their belfast “baggy” music in the form of debut To The Death Of Fun; on to the infamous WU LYF’s Go Tell Fire To The Mountain; with The Horrors’ epic being very unlucky to have missed out on the top spot and been released in the same year as the flawless second electric record from Bombay Bicycle Club – A Different Kind Of Fix, an unquestionably clear record of the year.

For the best tracks of 2011:

The complete top ten follows:

1. Bombay Bicycle Club – A Different Kind Of Fix

File:Bombay bicycyle club a different kind of fix.jpg

The unrivaled stand out release of the year, shocking topping the brilliance of Bombay’s first album I Had The Blues. A pop record full of beats and nods to The Stone Roses brand of psychedelia. The infusions of guitar based indie and melodic folk makes it Bombay Bicycle Club’s offering clearly a record of its time. You cannot go without listening to this record.

Review Link:

Top Tracks: Take The Right One, How Can You Swallow So Much Sleep, What You Want and Your Eyes.

2. The Horrors – Skying

How have The Horrors reached this point with an unlistenable first album to their third, Skying – a masterpiece and force of nature which although not entirely ground-breaking stylistically is a beautifully created record. The themes of oceans and expanse resonate through an album without a faulty song on it.

Review Link:

Top Tracks: Still Life, You Said and Moving Further Away.

3. WU LYF – Go Tell Fire To The Mountain

Don’t think for a second that WU LYF are all about the mystery of their image because this album is euphoric undecipherable sound-scapes. They brought something very different to the tale with the success of the contrasting elements of screaming savage vocals and clean poppy instrumentals gives WU LYF a memorising signature sound.

Review Link:

Top Tracks: Heavy Pop, Such A Sad Puppy Dog, 14 Crowns For Me And All My Friends and L Y F.

4. Cashier Number 9 – To The Death Of Fun

Cashier Number 9 haven’y caught many people attention this year, with their top youtube video only reaching 40,000 hits – and god knows why not. They have a really accessible sound and make joyful jangling guitar music which sounds so perfect prticularly well done the three tracks mentioned below.

Please Note: Due to the opening of Codamusic being half way through the year, not all of these albums have been reviewd.

Top Tracks: Oh Pity, The Lighthouse Will Lead You Out and Make You Feel Better.

5. P J Harvey – Let England Shake

As mentioned earlier, the universally critically acclaimed mercury prize winning Let England Shake truly deserves such prefixes. It is an beautifully executed politically based  album about the war and ruin which which have caused. The love for a great nation, or what used to be a great nation – not that the album’s beauty can only be realized with this theme. Every song is brilliant so don’t just listen to the tracks below.

Top Tracks: Bitter Branches, The Last Living Rose and Written On The Forehead.

6. Arctic Monkeys – Suck It And See

A return to form from the Arctic Monkeys, with a mature album that is listenable and also lyrically brilliant. It’s not the Arctic Monkeys of old, but really no one in their right mind would want that after listening to this. And one belter of a closing track: (Number 1 on the Best Tracks Of 2011 list as it happens)

Review Link:

Top Tracks: That’s Where Your Wrong, The Hellcat Spangled Shalalala and Reckless Serenade.

7. I Break Horses – Hearts

The first overseas album, from Sweden’s I Break Horses whose electronic shoe-gaze pop is one of this years highlights. A trance-inducing cascade of electronic music, which really seems to have a soul. An under the radar album of other worldly majesty.

Top Tracks: Winter Beats, Pulse and Wired.

8. S.C.U.M. – Again Into Eyes

S.C.U.M., a post-punk outfit who say their music is the manifestation of repressed lust. Their debut album takes influence and mood from Joy Division – a must listen for any post-punk devotee. Although its of a particular taste, the darkness of the music really comes through as euphoria rather than depression.

Top Tracks: Whitechapel, Amber Hands, Cast Into Seasons and Faith Unfolds.

9. Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds

Having assumed the worst after the Beady Eye’s flop, Noel pleasantly surprised with this collection of tracks. If you never liked Oasis these aren’t for you as they are nothing new but if you did, its blood good stuff. If only he had spent a few more minutes thinking of a better name, lets be honest it shouldn’t take long.

Top Tracks: Stop The Clocks, If I Had A Gun and (I Wanna Live In A Dream In My) Record Machine.

10. Unknown Mortal Orchestra – Unknown Mortal Orchestra

The best of this years influx of brilliant American lo-fi psychedelic rock which includes Smith Westerns and Moon Duo. Trippy, drug distorted vocals and direct punchy guitar. UMO’s debut is also very accessible and relatively easy listening for what it is, making it one of the coolest albums of 2011.

Best Tracks: Ffunny Ffrends, How Can U Luv Me, Biocycle and Thought Ballune.

11. White Lies – Ritual

12. Metronomy – The English Riviera

13. The Crookes – Chasing After Ghosts

14. Yuck – Yuck

15. Glasvegas – Euphoric /// Heartbeat \\\

16. Smith Westerns – Dye It Blonde

17. Florence + The Machine – Ceremonials

18. The Vaccines – What Did You Expect From The Vaccines

19. Moon Duo – Mazes

20.The Joy Formidable – The Big Roar

Disagree? Missed any of yours? Pray Tell.

Please note that these are not the opinions of the whole codamusic team but of one man.

Oscar B. Wilson

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The highly anticipated debut from the reclusive Manchurians, giving the new wave of Manchester scene a twist from the egos and personalities of the eighties and nineties comes with a very strong wave of hype behind the band. Yet maybe they are the same as the rest – they barely played outside of Manchester before the release, with the world having only just discovered their names shows you that they are all about the music, and frankly the mystery adds to the bands celestial sounds and tongues-like vocals. Can hiding ones faces and singing with your back to the stage in an attempt the remove the individual from the collective brilliance of their music, in actuality be the same swagger and confidence of Curtis and Hook, Morrissey and Marr, Brown and Squire, Gallagher and Gallagher and the rest? Even with their “disregard” for Manchester’s legacy.

WU LYF or World Unite Lucifer Youth Foundation has unleashed a new level of primal romanticism on the musical world.  The clean instrumentals, particularly the resonation of the high guitar sections give the music its other worldly beauty. In the case of the organ on L Y F the album wouldn’t be out of place if played in a church, so long as they removed the “Lucifer” from their name. Throughout the album these instrumentals give the listener a chance to feel exhilaration beyond the self in an expanse of sound showing the seemingly celestial origins of the music. This can be best appreciated on Such A Sad Puppy Dog and Dirt, both of which are full of resonance that cuts through the soul. Not that they are the exceptional compared to the album as a whole.

Combining the strongly contrasting primal otherworldly elation of the vocals and indecipherable lyrics with the clean perfect underlying instrumentals works in harmony and gives WU LYF a very strong defined sound. One which they don’t stray from on Go Tell Fire To The Mountain, but they have no reason to have too diverse a sound when that sound is so perfectly pulled off throughout the album. Although it has been said that Ellery Roberts’ voice is off putting, being so indecipherable and so far from the norm – which takes away from the bands beautiful playing. The accessibility and vibrancy of the instrumentation balances the composition out to a pint where the vocals are in no way unlistenable.

Clearly, WU LYF’s doubters have missed the beauty of the “tongues” like ambiguity of the vocals giving them a mystique as though of a higher spirituality, which WU LYF have enabled us to glimpse. Having lyrics which are less clearly universally understood or themed (other than We Bros about brotherhood) may give the listener more from a song emotively than one which has been clearly defined to mean it certain thing – in other works the listener can derive whatever they want from its ambiguity. With 14 Crowns For Me And Your Friends song which builds into a crescendo for four minutes the lyrics themselves do not take you in, but by the sound of the voice itself and the ecstatic jangle of the guitar. Not differing from the most downbeat sing in the record, Such A Sad Puppy Dog.

There is a slight problem with two of the songs to the end of the record, Concrete Gold and Heavy Pop, but because they were both brilliant – at least the singles released before they had been rerecorded for the album that is. The album versions are still particularly good; it’s just comparatively it’s a bit disappointing to hear a lesser version on the final product.  The original version of Heavy Pop is an exceptionally powerful song, the best WU LYF have released and it is a real shame if it is not listened too –

The energy WU LYF are unable to contain, a ferocity that must be screamed at the world is an ever present spirit within the album. A soaring expanse of a song, Spitting Blood demonstrates their energy, along with a similarly themed video – The same has to be said of Heavy Pop and actually nearly every song come to think of it.  However, WU LYF aren’t ever going to be universally liked, by then the best bands never are, they are doing things differently. WU LYFs passion and want for change – or at less looking at things with a different perspective defines them musically, so it is of little important if people don’t get the music because there is never going to be a time where everyone agrees with a change.

The sense of the new wave, an alternative way of thinking or perceiving that is so clear and ingrained in WU LYF’s music is what makes greatness especially when it is misunderstood. For example the use of Lucifer in their band name – not to show their support of satanism but a presentation of an alternative view which the established good, may deem bad – when maybe it isn’t bad, merely an alternative to the conventional positions held by authority. As done by the original Manchester revolutionaries – Joy Division. WU LYF really do have some depth to the concept of their music, it shall be very interesting to see how they develop.

They are simply a mesmerising listen, full of soaring celestial expanses of sound combined with the exhilarating screaming savagery of the human voice – quite possibly revelatory in nature. A beautiful work to say the least. The birth of “heavy pop” (as they like to call their new genre) has come.

Best Tracks:

  1. Heavy Pop
  2. Such A Sad Puppy Dog
  3. 14 Crowns For Me And My Friends
  4. L Y F
  5. Dirt

Oscar B. Wilson

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The Stone Roses have officially reformed – this cannot be missed even if you think that a legacy should be left alone – it probably should to keep the myth alive for those of us how are under the age of forty. But they have given pretty good reasons to reunite; money problems?, the current state of music today “boring, bland and corporate with nobody saying anything”, and that they are one of the greatest bands of all time – with their debut album widely considered the greatest album of all time.

After years of speculation the moment that has been equally dreaded and wished for at the same time has finally come. The original lineup of Ian Brown, John Squire, Mani and Reni announced today (18/10/2011) that they are to play two homecoming gigs at Heaton Park, Manchester on the 29th and 30th of June 2012 before beginning a world tour.

Tickets released at 9:30am on October 21st (THIS FRIDAY) for the first two shows. See The Stone Roses website for more information:

The second greatest band of all time, must show that this is not a legacy killer but an epic encapsulation of the magic that is oh so clear on there recordings and must have been even more so back in Manchester during 1989. Everyone has to agree of their brilliance, it’s just whether or not they still have it because it would be disastrous personally, let alone for the group if it did not work out. But they were so great the first time around, who says that they will not be great again, besides they have got a year to rehearse.

A Year in which our anticipation and therefore expectations will be building and building – can they match them, or even top them altogether. There is nothing for it but to wait. Leaving you with a few of their own words: This is the one, I’ve waited for.

Best Five Tracks From The Masterpiece – The Stone Roses (1989):

  1. This Is The One
  2. I Am The Resurrection
  3. Waterfall
  4. I Wanna Be Adored
  5. Shoot Me Down
Other Noteworthy Tracks:
  1. Fool’s Gold – Single and Turns Into Stone (1989)
  2. Love Spreads – Second Coming (1994)
  3. Elephant Stone – Single and Turns Into Stone(1990)
  4. So Young – Single and Garage Flower (1985)
  5. Made Of Stone – The Stone Roses (1989)
Oscar B. Wilson

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